Why is this complicated?
Thursday 21 November 2013
Wednesday 13 November 2013
The value of creating a storyboard
Storyboard as much of it as possible
It might be tempting not to bother with storyboards but it is a mistake if you do so. You need a visual plan for your work as it won't just happen when you have a camera in your hand! I would recommend using post-its for constructing a storyboard, as you can move the frames around and change the order easily. Once you have done the storyboard, the next step is to turn it into an animatic, which quite literally involves taking a photo of each frame (on your phones or a webcam, nothing fancy) and then dropping the frames onto the timeline of your digital editing program. You can then cut them to length, in time with your music on the audio line and then export the whole thing as an animatic- a moving storyboard.
It might be tempting not to bother with storyboards but it is a mistake if you do so. You need a visual plan for your work as it won't just happen when you have a camera in your hand! I would recommend using post-its for constructing a storyboard, as you can move the frames around and change the order easily. Once you have done the storyboard, the next step is to turn it into an animatic, which quite literally involves taking a photo of each frame (on your phones or a webcam, nothing fancy) and then dropping the frames onto the timeline of your digital editing program. You can then cut them to length, in time with your music on the audio line and then export the whole thing as an animatic- a moving storyboard.
Wednesday 16 October 2013
Monday 7 October 2013
Editing Techniques on FCP
Here are some basic music video editing techniques. You'd probably be able to work out most of them yourselves, but it gives you some ideas that you can incorporate into your own music video. http://vimeo.com/21883403
One Man's Loss
You might be able to use some of the ideas in this short film for your music video as it depicts a transformation from a homeless man to a rich man.
http://vimeo.com/72844829
http://vimeo.com/72844829
Year 13 Music Video Work Schedule
Year 13 – Media Studies Overview
Week
|
Purpose
|
Lesson
|
Outcome
|
1
|
Research
|
A) Performance/narrative and conceptual music videos.
B) Theorists
|
Theorist examples: Goodwin “Music Video”, Mulvey “Male Gaze”, Katz and Blumler “Gratification”, Dyer “Star” theory, Barthes “Hermeneutic and Proairetic codes”, Baudrillard “Reality”.
|
2
|
Planning
|
Action plan
|
Outline and time line of when everything in this list will be completed and post to blog (share this outline with pupils).
|
3
|
Planning
|
Questionnaire and copyright letter
|
Letter sent to song artist – any replies should also be posted.
|
4
|
Research
|
Representation in music videos
|
Analysis of representation in music videos.
Influence on own music video. |
5
|
Research
|
Analysis of 3 music videos
|
x3 separate blog posts: mise-en-scene, theory, target audience
|
6
|
Research
|
Analysis of 3-5 digipak.
|
x3-5 separate blog posts: mise-en-scene, theory, target audience
|
7
|
Research
|
Analysis of 3-5 posters.
|
x3-5 separate blog posts: mise-en-scene, theory, target audience
|
8
|
Planning
|
Target Audience
|
Who? Why? And how will you target them in your production? Refer to both demographics and psychographics.
|
9
|
Planning
|
Storyboard and Shot list
|
Can be hand drawn images or still camera shots taken from locations – must include every single shot! Camera angles.
|
10
|
Planning
|
Actor/crew list, Prop List, Equipment list and location List and shooting schedule
|
(This is very important – it makes up an entire bullet point on the mark scheme). There should be a detailed post about each aspect – there should also be updates/changes to them.
|
11
|
Planning
|
Mise en scene and target audience
|
Explore intentions and desired effects.
|
12
|
Planning
|
Focus Group
|
Target audience feedback, issues raised, action required.
|
13
|
Planning
|
Sales Pitch
|
Video “Dragon’s Den” style sales pitch with feedback from peers and teacher, with accompanying PPT.
|
14
|
Video
|
Raw footage filming
|
Including:
· Uploads of each draft.
· Video/audio diaries.
· Progress, problems and adjustments.
· Shooting (and re-shooting) schedule updates/changes.
· Filming updates & choices.
· Focus group consultation.
· Intertextuality.
· Theory influences on filming.
· Target audience influences on filming.
· Mise-en-scene influences on filming.
· Representation influences on filming.
|
15
|
Video
|
Raw footage filming
| |
16
|
Video
|
1st Draft
| |
17
|
Video
|
1st Draft
| |
18
|
Video
|
2nd Draft
| |
19
|
Video
|
2nd Draft
| |
20
|
Video
|
3rd Draft
| |
21
|
Video
|
3rd Draft
| |
22
|
Video
|
Final Draft
| |
23
|
Video
|
Final Draft
| |
24
|
Digipak
|
Digipak 1st Draft
|
Progress, target audience, mise-en-scene, representation.
|
Sunday 25 November 2012
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