Wednesday 13 November 2013

The value of creating a storyboard

Storyboard as much of it as possible

It might be tempting not to bother with storyboards but it is a mistake if you do so. You need a visual plan for your work as it won't just happen when you have a camera in your hand! I would recommend using post-its for constructing a storyboard, as you can move the frames around and change the order easily. Once you have done the storyboard, the next step is to turn it into an animatic, which quite literally involves taking a photo of each frame (on your phones or a webcam, nothing fancy) and then dropping the frames onto the timeline of your digital editing program. You can then cut them to length, in time with your music on the audio line and then export the whole thing as an animatic- a moving storyboard.

Monday 7 October 2013

Editing Techniques on FCP

Here are some basic music video editing techniques. You'd probably be able to work out most of them yourselves, but it gives you some ideas that you can incorporate into your own music video. http://vimeo.com/21883403

One Man's Loss

You might be able to use some of the ideas in this short film for your music video as it depicts a transformation from a homeless man to a rich man.

 http://vimeo.com/72844829

Year 13 Music Video Work Schedule

Year 13 – Media Studies Overview
Week
Purpose
Lesson
Outcome
1
Research

A) Performance/narrative and conceptual music videos.
B) Theorists
Theorist examples: Goodwin “Music Video”, Mulvey “Male Gaze”, Katz and Blumler “Gratification”, Dyer “Star” theory, Barthes “Hermeneutic and Proairetic codes”, Baudrillard “Reality”.
2
Planning

Action plan
Outline and time line of when everything in this list will be completed and post to blog (share this outline with pupils).
3
Planning

Questionnaire and copyright letter
Letter sent to song artist – any replies should also be posted.
4
Research

Representation in music videos
Analysis of representation in music videos.
Influence on own music video.
5
Research

Analysis of 3 music videos
x3 separate blog posts: mise-en-scene, theory, target audience
6
Research

Analysis of 3-5 digipak.
x3-5 separate blog posts: mise-en-scene, theory, target audience
7
Research

Analysis of 3-5 posters.
x3-5 separate blog posts: mise-en-scene, theory, target audience
8
Planning

Target Audience
Who? Why? And how will you target them in your production? Refer to both demographics and psychographics.
9
Planning

Storyboard and Shot list
Can be hand drawn images or still camera shots taken from locations – must include every single shot! Camera angles.
10
Planning

Actor/crew list, Prop List, Equipment list and location List and shooting schedule
(This is very important – it makes up an entire bullet point on the mark scheme). There should be a detailed post about each aspect – there should also be updates/changes to them.
11
Planning

Mise en scene and target audience
Explore intentions and desired effects.
12
Planning

Focus Group
Target audience feedback, issues raised, action required.
13
Planning

Sales Pitch
Video “Dragon’s Den” style sales pitch with feedback from peers and teacher, with accompanying PPT.
14
Video

Raw footage filming
Including:
·        Uploads of each draft.
·        Video/audio diaries.
·        Progress, problems and adjustments.
·        Shooting (and re-shooting) schedule updates/changes.
·        Filming updates & choices.
·        Focus group consultation.
·        Intertextuality.
·        Theory influences on filming.
·        Target audience influences on filming.
·        Mise-en-scene influences on filming.
·        Representation influences on filming.
15
Video

Raw footage filming
16
Video

1st Draft
17
Video
1st Draft

18
Video
2nd Draft

19
Video
2nd Draft

20
Video
3rd Draft

21
Video
3rd Draft

22
Video
Final Draft

23
Video
Final Draft

24
Digipak
Digipak 1st Draft

Progress, target audience, mise-en-scene, representation.